In this installation at the Kuenstlerhaus Schloß Wiepersdorf designed Jan Hendrik Brueggemeier two ‘black clouds’ out of 420 small loudspeaker to display 6 discrete audio channels.

As a topic, clouds trigger manifold associations and are a largely known cultural phenomenon. ‘As-Sahab’, the name of the alleged media production unit of Al-Qaeda means “The Cloud” in Arabic. In the old testament it is reported, that god liked to hide his appearance behind a cloud when calling Moses on the seventh day of the creation of the earth. The cloud also serves as an analogy for radio and the more recent phenomenon of wifi and wireless culture. It describes how the reception area is spread out. As well, it leads to the first days of the radio, when people experienced radio as a god-like appearance – a disembodied voice addressed to them directly.

Radio, today, is on one hand a synonym for popular culture and mass distribution. On the other hand, it can be tagged with politics of territory and strategic warfare. It may be surprising, but to a certain degree radio is culturally and technologically rooted in war and military invention – similar to the Internet.

Along with this installation, a series of soundtracks shall follow: Love is in the Air is the initiation and first issue of the series of soundtracks dedicated to the Black Clouds installation.

Love is in the Air is composed of bits and fragments of recordings of the Lebanese radio dial during a stay in Beirut, and an audio collage of sound bits of popular love songs, that wildly and at certain points desperately spin between the right and the left channel of the audio-signal.

Listen to an excerpt from the soundtrack of the installation (04’30”):

photo credit: Elina Julin

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