communication

bauhaus lab

In 2008/9 was Jan Hendrik Brüggemeier the artistic co-director and co-initiator of the EU culture project “bauhaus lab”.

“bauhaus lab” is a international network of interdisciplinary laboratories on new artistic strategies and modes of interdisciplinary co-operations.

In full appreciation of the ideas behind the historical Bauhaus movement and their lasting impact on today’s affairs, the bauhaus lab project wants to further explore the present conditions for an innovative artistic practice across disciplines and national borders:

# where is the working place of the artist today?
# which are the interdisciplinary coalitions to be shared today and why?

With the support of the Culture programme of the European Union (2007- 2013) and on initiative of the Cultural Directorate of the City of Weimar, the bauhaus lab project is a co-operation between the following partners:

In the course of this project and in the frame of the 90th anniversary of the Bauhaus the results of the research are presented to the public in various formats and further collaborative co-operations with external partners will be fostered across Europe and beyond.

Besides the numerous activities of the project partners the contemporary scenography festival Crash!Boom!Bau! at the Theaterhaus Jena forms the flagship of the project co-operations.

The point of departure is the work of the theatre workshop at the Bauhaus school “Bauhaus Bühne” (bauhaus stage), that used to present his work in 1920ies at the city theatre of Jena (todays Theaterhaus Jena and location of the festival).

The festival wants to highlight contemporary scenography as the melting pot assembled out of diverse interdisciplinary artistic trends and drives.

Project website: http://bauhauslab.weimar.de (archived website)
Crash!Boom!Bau! website: http://bauhauslab.org/festival (archived website)

logo design: Helmut Voelter

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how neture begun …

As a project platform neture.org focuses mostly on collaborations and cross-disciplinary projects. It presents completed works and finished projects along with rather loose lines of associative and speculative thinking of the ones to-be in a sketch book manner. Similar to the idea of the experimental seminarist Buckminster Fuller and his legendary “Thinking  Out  Loud”.

One could picture the relational dimension of “neture” as the “changing states of aggregation” like in chemistry – when a setting or situation changes through the relational activity of its protagonists involved. Only that in our case the chemistry kit would be impacted by the relational characteristics of humanness as well. So neture clearly means less the “technical implications”, which dominate the notion of -let’s say- a “network” today. In addition it seems equally important in the current present to know the right moment when to leave this technical grid behind and drop offline as well.

And this is how neture begun …

My first meaningful intensive struggle with this theme was in the summer of 2003, as I worked on an application for a project with Johannes Sienknecht. In this framework “n e t u r e” popped up for the first time as a project title. Then it was written with a lower case “e”. “n e t u r e” was proposed as a project with the wish to abandon the trusted studio of the internet work place and to find places which could give a physical counterweight to the medium. Here is a brief sample from our application:

“n e t u r e” wants to focus on the impulses and posssible conceptual or aesthetic transfers of the mediafied spheres and physical spaces with a similar structure, and to document such processes. Where can one find the unused capacities in mediafied and physical spaces that allow “neture” to grow exuberantly and freely? Can one compare, e.g., redundantly laid telecommunication-cabling which private-persons can hire from telecoms for a cheaper rate to abandoned and vacant post-socialist tower-blocks in East-Germany, Hungary or post-industrial relics in Sheffield, UK? The focus and crux of the subject matter of “neture” are spaces with communicationpotentials, which are forgotten or no longer used, and spaces where less relevant conventional references exist (or are in the process of vanishing) between the place itself and its culture and history. “neture” uses this void, grows within it and creates dynamic presence in it with methods of art, communication and documentation. “neture” uses free space, communicates out of necessity, cooperates out of love, creates from passion, manifests from coincidence.”

Please see the nEture Catalogue for more in-depth information on this subject …

Download the original nEture Catalogue script here.

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radical connector(s) 01

radical connectors flyer

with the friendly support of the

Friedrich Ebert Foundation, Erfurt

stuko logo weimar
the student union, Bauhaus University Weimar

Or what means autonomy today? And how do protest movements (de)form in the 21st Century?

radical connector(s) 01 – a discourse and media-art festival in Weimar, Germany, from October 21st – 24th and October 28th – 31st 2004

abstract
worldwide telecommunication is permeating almost all facets of our daily life. the telecom-munications-multi sony ericsson revised its forecast of this year sold mobile-phones worldwide from 550 mill to 600 mill devices.

media let spatial borders between private and public become transient. one’s cellular turns the public space of the subway into a super-private realm while the web cam makes the sleeping-room somewhat public. with the ongoing transition of working routines in communicative situations the office and the factory are leaving their former abode – the factory hall.

the production mode is entering the common sphere of everyday communication. although communicative interconnectedness is constantly expanding the user tend to become more isolated. the mobile-phone and its direct addressability introduce a social practise that stresses more the personal than the impersonal relationships.

we receive a situation, where on one hand the technical capability of media-production has reached the consumer-level, but is used only in a private context. on the other side the active area of the general media public is left to a few corporations monopolising the global mediascape and are effectively forming public conception.

How do social and artistic movements face such situation, and what does it mean for political and artistic autonomy?

radical connector(s) 01 is meant as a survey on social and artistic movements of the last 30 years, which stand out through their very own and unique media-practises. current projects will be introduced, as well as exchange with local initiatives is wanted.

Outdoor screening sessions throughout the events

photo, out door screening session

photo, screening outdoors


projected from car trunks

and vacant store windows

radical connector(s) 01 schedule

Thursday 21/10/2004

17:00 – 18:00 reception and overview an all planned activities
18:00 – 19:30 Christian Goerg (lecture): on new and newest social movements -transformations of political protests
20:00 – 22:00 Erick Arellana-Bautista (presentation /screening): multimedia-proletaria Bogota, Colombia

Friday 22/10/2004

16:00 – 17:00 Regina Bittner (lecture): between appropriation and disappropriation of public space in post-socialism
17:30 – 18:30 Mirijam Struppek (presentation): public space – interaction – digital media
19:00 – 20:00 Claudia Reiche (lecture): (De)information – on the Politics of Fictional Figures in Fictitious Times

Saturday 23/10/2004

14:00 – 15:00 Wolfgang Bock (lecture): social movements in transformation
15:30 – 16:30 Roger Behrens, testcard (lecture): pop and politics – a critical review
17:00 – 18:00 Lloyd Dunn (presentation): plagiarism thanks you for interacting
20:30 – 22:00 Franco Berardi, telestreet (lecture): what means autonomy today?
succeeding screening: Telestreet

Sunday 24/10/2004

12:00 -13:00 Matthias Niendorf, University Erfurt (lecture): TO All! – russia, the revolution und radio (1895-1945)
14:00 – 16:00 final-panel:
how do protest movements (de)form in the 21st Century?
17:00 – 18:00 Alexander Klosch, subsignal.org: from tech to polis? – about community networking in current technologies

Part II:

Thursday 28/10/2004

16:00 – 17:00 Diana McCarty, reboot.fm (presentation): what means free media today? – an example: reboot.fm berlin
17:00 – 18:00 T03K,DFM rtv Int (presentation): free (new) media – Amsterdam Skool
18:00 – 19:00 Filmgruppe Chaos (presentation): underground, home movies, independent distribution
20:00 – 22:00 screening of Filmgruppe Chaos’ works

Friday 10/28/2004

10:00 – 20:00 preparation of outdoor intervention in public space
20:00 – 22:00 public screening

Saturday 10/30/2004

10:00 – 20:00 preparation of outdoor intervention in public space
20:00 – 22:00 public screening

Sunday 10/31/2004

10:00 – 18:00 preparation of outdoor intervention in public space
20:00 – 22:00 performance/outdoor screenings
22:00 – 23:00 final discussion
23:00 party

location

the conference took place at: Herderplatz 03 – 99423 Weimar  > radical connector(s) 01

It takes place in the context of the lecture series City & Protest organised by the alternative_lectures at the Bauhaus-University Weimar with friendly support of the Friedrich Ebert-Foundation (Thuringia), department of the political education of the student union of the Bauhaus-University Weimar, Theaterhaus Weimar e.V., the Experimental Radio-Department of Bauhaus-University Weimar, the media-platform “pingfm” and the cultural initiative “Salon K”.

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interviews

A-Z

  • Carol Becker - audio (English)

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    The interview with art theorist and former Dean of the School of Art Institute Chicago Carol Becker is part of the chapter “The meaning of museum in the 21st Century” which was a contribution to the HRN Magazine #1 Are Museums just digging in the Past? questioning the role museums play today in various contemporary societies.

  • Buchenwald Memorial Foundation staff - audio (English)

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    The interviews form the chapter “The Buchenwald Memorial – about current-history memorial work in Germany” which was a contribution to the HRN Magazine #1 Are Museums just digging in the Past? questioning the role museums play today in various contemporary societies: 

    • Rikola-Gunnar Luettgenau, Director of the Buchenwald Memorial, Curator of “Topf & Sons: The Engineers of the ‘Final Solution’, the Builder of the Auschwitz-ovens”
    • Ronald Hirte, Author of the online-project “Found Objects – a picture-catalogue” of the Buchenwald and Mittelbau-Dora Memorials Foundation and fellow of the „Media of History / History of Media- promotion-program at Bauhaus-University Weimar
  • Chuck D, Public Enemy - audio (English): “New (digital) services for the genre instead of ourselves.”
    A conversation about independent music distribution in the age of the Internet and how Public Enemy appoeaches it.

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    - text in English: pdf
    Chuck D is a musician, author, producer, and label owner. He helped create politically and socially conscious rap music in the mid-1980s as the leader of the rap group Public Enemy. Further web references: Chucks digital record label SlamJamz, social website for classic Rap & HipHop: www.HipHopGods.com, social website for female Rap & HipHop artists: www.SHEmovement.com

  • Kodwo Eshun - audio: radio feature “Music journalism as the third deck of the DJ” (German moderation / English interview)

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    - text in German as published in testcard on black music: pdf (not yet linked)
    Kodwo Eshun is a music journalist and cultural theorist. He is author of “More brilliant than the sun – adventure in the sonic fiction”. The interview is departed form his book and ideas about black avangrade popular culture in general and the relationship of electronic popular music and its relationship to machines in particular. The interview formed the basis for the radio feature.

  • Spiros Mercouris - audio (English)

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    Born in Athens (1926). Studied Law at the University of Athens. Active in the Resistance during the German/Italian occupation. Member of the resistance organisation “Democratic Defence” during the colonels’ junta (1967-74) in Greece. Organised the tour of Melina Mercouri against the dictatorship in 14 countries of Europe. Took part in activities against the junta throughout Europe and United States with speeches, interviews and by organising political and cultural events. Co-founder of the political party PASOK. Organiser and general co-ordinator of the first Cultural Capital of Europe “Athens 1985”. Honorary President of the Network of Cultural Capitals and Cultural Months of Europe. President of the non profit organization Horizons – Actions. Member of the Board of Directors of the Melina Mercouri Foundation.
    The interview is an excerpt from the HRN Magazine #3 – Europe still under construction – after 20 years of European Cultural Capitals which was meant to reflect on the concept and implementation of Cultural Capitals a closer look needs to be taken at which points this ‘complex concept’ has failed its ambitious aims, which mistakes have been done and where problems have arisen, if at all with the local population and last but not least how were they designed to be Cultural Capitals.

  • Sodja Zupanc Lotker - text (English)
    this conversation took place in the context of the CRASH!BOOM!BAU! festival at the Theatehaus Jena and looks into current trends of scenographical work.
    - text in English: pdf
    Sodja Z. Lotker is a dramaturge and the artistic co-director of the PQ11. Togther with the architect and artist Oren Sagiv she developed the Intersection Project of the PQ11.
  • Robert Palmer - audio (English)

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    Robert Palmer is the Director of Culture and Cultural and National Heritage at the Council of Europe, based in Strasbourg, France. He has worked in the cultural sector for more than 30 years, and prior to joining the Council of Europe in 2006 was an expert independent adviser to governments, cities and regions in more than 20 countries on cultural development and regeneration, cultural tourism, festivals and arts policies, and a consultant to cultural foundations, cultural networks, arts organisations, and intergovernmental bodies such as the European Cultural Foundation, the European Commission and UNESCO. He has been very involved in European Capitals of Culture and was the Director of two – Glasgow (1990) and Brussels (2000) and published a study for the European Commission, which evaluated 20 capitals of Culture. During this career, he has been the Director of Drama, Dance and Touring at the Scottish Arts Council, and the first Director of Arts for the City of Glasgow.
    The interview is an excerpt from the HRN Magazine #3 – Europe still under construction – after 20 years of European Cultural Capitals which was meant to reflect on the concept and implementation of Cultural Capitals a closer look needs to be taken at which points this ‘complex concept’ has failed its ambitious aims, which mistakes have been done and where problems have arisen, if at all with the local population and last but not least how were they designed to be Cultural Capitals.

  • Bart Verschaffel - audio (English)

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    Bart Verschaffel is a philosopher and holds a full professor-ship of Theory of Architecture and Architectural criticism at Ghent University (Belgium). He has numerous publications in the fields of Architectural Theory, Theory of History, Aesthetics, and Philosophy of Culture. He was head of discourse and literature-section Antwerp 1993. The interview is an excerpt from the HRN Magazine #3 – Europe still under construction – after 20 years of European Cultural Capitals which was meant to reflect on the concept and implementation of Cultural Capitals a closer look needs to be taken at which points this ‘complex concept’ has failed its ambitious aims, which mistakes have been done and where problems have arisen, if at all with the local population and last but not least how were they designed to be Cultural Capitals.

  • Bernhard Waldenfels - audio (English)

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    Bernhard Waldenfels taught philosophy at the Ruhr University, in Bochum, Germany. He has written books about phenomenology, dialog theory, the “life world,” structures of behavior, and order and normativity.

  • Hildegard Westerkamp - audio (English)

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    Hildegard Westerkamp is a composer, radio-maker and one of the initiators of the World Forum for Acoustic Ecology, has been a long-term activist in terms of acoustic awareness. The interview is an excerpt from the HRN Magazine #2 on UNESCO and was meant to highlight the connection between acoustic ecology and world heritage, the acoustic awareness in a visually dominated world and Westerkamp’s motivation to start the World Forum for Acoustic Ecology in 1993.

The nEture interview series

.
Please see for further reference the neture series and check out the nEture catalogue.

  • TO3K - audio (English)

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    - text (English): pdf

    T03K, ulti-media-Performer from Amsterdam, one of the driving forces of the Webcast-Station DFM radio television International and of the free Radio, Radio 100 (defunct).

  • Tetsuo Kogawa - audio (English)

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    - text (English): pdf + transcription of another interview with him at Transitwelle event in Munich: pdf 

    Tetsuo Kogawa, Tokyo, performance-artist and Professor for Communication Studies at the Tokyo Keizai University. Tetsuo Kogawa was one of the initiators of the Micro-Radio movement in Japan

  • Franco “Bifo” Berardi - audio (English)

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    - text (English): pdf + transcription of another interview with him at NEURO festival in Munich: pdf 

    Franco “Bifo” Beradi, Bologna, political activist and theorist as well as an initial member of Radio Alice and telestreet.it

  • Daniel Guischard - audio (English)

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    - text (English): pdf 

    Daniel Guischard, Weimar, architect and product designer

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