RASTE_02 – “DISTRIBUTED BY… – How do I get to the music and how does the music get to me?”

In 2004 Jan Brueggemeier was one of the core organisers and curator of Raste_02.

Raste_02 is a festival of new electronic music and audio art which opened in Weimar for the second time that year. It dealt with this question.

For the three days from 12th to 14th June 2004 in Weimar and Frankfurt am Main, Raste_02 combines readings and discussions with the experience of live, new, electronic music and audio art.

Raste_02 creates a forum for budding and established musicians and artists to present music concepts using an electronic sound space and its audio-visual implementation.

Raste_02 aims to be a communicative platform which discusses changes in the relationship between artist, market and audience resulting from digital media.

website: www.raste.org

“Distributed by… – how do I get to the music and how does the music get to me?”

How do I get to the music – and how does the music get to me?
How can you find the music you really like?
Does technology always change music?
Is there any music which is not influenced by the fact that it can be recorded and copied?
Does music live through its continuous reproduction?
How can the value concept of music as a product be developed in a digital musical system?
Are physical storage media being increasingly marginalised?
Is there a digital pendant to a 500 series vinyl record?
Is the only thing of value something that cannot be copied?
Who founds a label and why?
Do labels act as a compass in the overgrown data jungle?
How does the label landscape change?
Are small labels more adventurous, more entertaining and more patient?
Does financial success spell creative disaster?
Can musicians cope with the new economic model of making music?
Is music driven out of its own studio so quickly that no file-sharing client can keep up?
Can music be sold in such attractive packaging that the purchase is easier than copying it?
Will self-publishing of music by the artist become the best form of publicity because an increasing number of people will go to concerts of those musicians, who keep their music in circulation?
Will live presentation of music become more popular?
Are there too many laptop artists?
Can electronics arbitrate between experts, hobbyists and independents?
How will the relationship between creative and interpretive art develop?
Will pure music agents with their networks and talent scouts become more and more important as the real artists of distribution?
What does the future look like for musicians?
What does a musician live from?

You can be sure the presentations, discussions and moderations during Raste_02 will reveal more questions. But maybe some answers can also be found without carrying on the powerful discourse bubble in the context of electronic music.

Saturday, June 12th 2004, Weimar
20.15 Uhr Senking (Cologne)
22.00 Uhr Robert Lippok (Berlin)
DJing Ushi Hupe (Berlin)
DJing Kazi Lenker (Berlin)

Sunday, June 13th 2004, Weimar
17.00 Uhr Reading: Thomas Meinecke (Munich)
18.00 Uhr Panel
20.00 Uhr pingfm (Weimar)
21.00 Uhr L.O.S.D. (Amsterdam)
22.00 Uhr Frank Bretschneider (Berlin)
DJing Peter D. (Amsterdam)

Monday, June14th 2004, Frankfurt
20.00 Uhr Frank Bretschneider (Berlin)
21.00 Uhr L.O.S.D. (Amsterdam)
22.00 Uhr pingfm (Weimar)
23.00 Uhr Robert Lippok (Berlin)
24.00 Uhr Senking (Köln)

Raste_02 made possible by

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