about

contact & cv

Contact
Best way to get in touch is to send an email to Jan at jan (at) neture dot org.

Who is Jan?

Jan Hendrik Brueggemeier (*78/German) is a freelance artist and media producer and main chronicler of the neture.org project.

Born in Frankfurt/M, he was raised in Bremen. After a short stay in Cologne, he moved on to Weimar to study Media Art & Design. After completing his studies there he left for Leipzig and then went on to London and, lately, relocated to Melbourne.

Currently he holds an international research scholarship and grant for his creative PhD project “From Sound to Waves to Territories” at La Trobe University, Melbourne.

Besides his artistic practice in sound and media art, he always has been actively involved in the shaping and running of media networks and the curating and social networking of art festivals and exhibitions. His work has been shown internationally.

He recently has been the artistic co-director of the EU project “bauhaus lab 2009“, an international project network on contemporary interdisciplinary arts. He has co-curated the festival for new scenography CRASH!BOOM!BAU! at the Theaterhaus Jena. He has been artist-in-residency of the Cultural Foundations of Saxony and Thuringia.

In 2004 he graduated in Media Art & Design at the chair for Experimental Radio at Bauhaus University Weimar. Project: nEture.
Mentors: Tetsuo Kogawa (JP), Ralf Homann (D), Chirstine Hill (US/D) and Ute Holl (D).


how neture begun …

As a project platform neture.org focuses mostly on collaborations and cross-disciplinary projects. It presents completed works and finished projects along with rather loose lines of associative and speculative thinking of the ones to-be in a sketch book manner. Similar to the idea of the experimental seminarist Buckminster Fuller and his legendary “Thinking  Out  Loud”.

One could picture the relational dimension of “neture” as the “changing states of aggregation” like in chemistry – when a setting or situation changes through the relational activity of its protagonists involved. Only that in our case the chemistry kit would be impacted by the relational characteristics of humanness as well. So neture clearly means less the “technical implications”, which dominate the notion of -let’s say- a “network” today. In addition it seems equally important in the current present to know the right moment when to leave this technical grid behind and drop offline as well.

And this is how neture begun …

My first meaningful intensive struggle with this theme was in the summer of 2003, as I worked on an application for a project with Johannes Sienknecht. In this framework “n e t u r e” popped up for the first time as a project title. Then it was written with a lower case “e”. “n e t u r e” was proposed as a project with the wish to abandon the trusted studio of the internet work place and to find places which could give a physical counterweight to the medium. Here is a brief sample from our application:

“n e t u r e” wants to focus on the impulses and posssible conceptual or aesthetic transfers of the mediafied spheres and physical spaces with a similar structure, and to document such processes. Where can one find the unused capacities in mediafied and physical spaces that allow “neture” to grow exuberantly and freely? Can one compare, e.g., redundantly laid telecommunication-cabling which private-persons can hire from telecoms for a cheaper rate to abandoned and vacant post-socialist tower-blocks in East-Germany, Hungary or post-industrial relics in Sheffield, UK? The focus and crux of the subject matter of “neture” are spaces with communicationpotentials, which are forgotten or no longer used, and spaces where less relevant conventional references exist (or are in the process of vanishing) between the place itself and its culture and history. “neture” uses this void, grows within it and creates dynamic presence in it with methods of art, communication and documentation. “neture” uses free space, communicates out of necessity, cooperates out of love, creates from passion, manifests from coincidence.”

Please see the nEture Catalogue for more in-depth information on this subject …

Download the original nEture Catalogue script here.

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imprint

contact
info (at) neture dot org

owner:
Jan Hendrik Brueggemeier

responsible for the content
Jan Hendrik Brueggemeier

web design and development
Mike Ritter

liability
We do not assume any liability for the correctness and completeness of the content published on this web site. This also applies to all web sites that we link to.

Creative Commons License
The works on this website are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.


links

Sorry, this section is still under construction …

here a first couple of links:

sites of individuals
# personal site of the artist and programmer *zsolt barat
# personal site of the artist *johannes sienknecht
# check out one of jan brueggemeier’s projects while still studying in at the bauhaus university weimar *pingfm
# personal site of the artist *will martyr
# collaborator, designer and architect *daniel guischard (facebook)
# john r. heck, artist, from the *Tape beatles
# personal site of the artist *ulrike haage
# personal site of the artist *friedrich liechtenstein
# personal website of the web programmer *mike ritter

original proposal
*neture
[pdf]

micro-radio pioneering
*micro-radio movement in japan

*radio alice, bologna, italy

and its recent spin-off:
*radio kinesonus, japan
*telestreet, italy – -

# independent free webcaststation 24/7 *DFM rtv Int

# the radio collective *Neighborhood Public Radio

# a buzzword in the discourse of urban planning a little while ago *shrinking cities

# inspiring scholar, the working index of *david morley

# website of the former *experimental radio – bauhaus university weimar